Student Work
As you scroll down, hover over each image for details on the course, media, and assignment.
Inside. Basic Photography, 2018.
• Multi-second digital capture
• Size variable
• “Create a photograph that: 1. Breaks your expectations of what a photograph should look like and 2. Resonates with you in an unexpected way.”
• Multi-second digital capture
• Size variable
• “Create a photograph that: 1. Breaks your expectations of what a photograph should look like and 2. Resonates with you in an unexpected way.”
L-O-V-E. Digital Photography & Design, 2018.
• Digital contact sheet shot blind with Thirty-Six app
• Size variable
• From an exercise intended to give students a digital analog of what shooting film is like. Using the Thirty-Six app on her iPhone, this student shot the entire “roll” blind and only after exposing 36 shots could she see whether the composition of her “contact sheet” worked or not.
• Digital contact sheet shot blind with Thirty-Six app
• Size variable
• From an exercise intended to give students a digital analog of what shooting film is like. Using the Thirty-Six app on her iPhone, this student shot the entire “roll” blind and only after exposing 36 shots could she see whether the composition of her “contact sheet” worked or not.
The Mending. Advanced Photography, 2017.
• Digital photograph
• Size variable
• “Concept photograph that layers two idioms.” This student paired “A stitch in time…” and “An apple a day…”
• Digital photograph
• Size variable
• “Concept photograph that layers two idioms.” This student paired “A stitch in time…” and “An apple a day…”
After Kasten. Advanced Photography, 2017.
• Digital photograph
• Size variable
• “Tabletop construct illuminated with primary colors of light.”
• Digital photograph
• Size variable
• “Tabletop construct illuminated with primary colors of light.”
Wishful Thinking. Digital Photography & Design, 2017.
• Digital photograph
• Size variable
• “Create a concept portrait that communicates a desire.”
• Digital photograph
• Size variable
• “Create a concept portrait that communicates a desire.”
Selfie #7. Advanced Photography, 2016.
• Chromogenic print from color negative
• 12” x 18”
• Experimental photography project in which student hand-built a camera.
• Chromogenic print from color negative
• 12” x 18”
• Experimental photography project in which student hand-built a camera.
Anna Liz. Advanced Photography, 2016.
• Archival pigment print from digital capture
• 12” x 18”
• Location portrait lit with household light sources.
• Archival pigment print from digital capture
• 12” x 18”
• Location portrait lit with household light sources.
After Coello’s Lady In A Fur Wrap. Advanced Photography, 2016.
• Chromogenic print from digital capture
• 12” x 16”
• “Investigate the dialog between painting and photography.” The student selected an historic painting and then styled the scene to create a photograph that mimics the painting.
• Chromogenic print from digital capture
• 12” x 16”
• “Investigate the dialog between painting and photography.” The student selected an historic painting and then styled the scene to create a photograph that mimics the painting.
Premonition. Digital Photography & Design, 2015.
• Archival pigment print
• 15” x 8”
• “Create a photograph that makes a political statement.”
• Archival pigment print
• 15” x 8”
• “Create a photograph that makes a political statement.”
Untitled. Digital Photography & Design, 2015.
• Digital photograph
• Size variable
• “Create a photograph that evokes an emotion.”
• Digital photograph
• Size variable
• “Create a photograph that evokes an emotion.”
Untitled. Lighting on Location, 2014.
• Digital photograph
• Size variable
• Environment portrait shot with multiple flash units on a business location.
• Digital photograph
• Size variable
• Environment portrait shot with multiple flash units on a business location.
Untitled. Lighting on Location, 2014.
• Digital photograph
• Size variable
• “Location lighting project that reimagines the scene.”
• Digital photograph
• Size variable
• “Location lighting project that reimagines the scene.”
Agave. Photography I, 2019.
• Gelatin silver print
• 8” x 10”
• “Consider the frame as a means of transformative extraction.”
• Gelatin silver print
• 8” x 10”
• “Consider the frame as a means of transformative extraction.”
Montaña del Oro. Digital Photography I, 2019.
• Archival pigment print from digital capture
• 18” x 12”
• “Texture in the landscape.”
• Archival pigment print from digital capture
• 18” x 12”
• “Texture in the landscape.”
La Morra. Digital Photography I, 2018.
• Archival pigment print from digital capture
• 18” x 12”
• “Portray a dream scene.”
• Archival pigment print from digital capture
• 18” x 12”
• “Portray a dream scene.”
Trace. Photography I, 2018.
• Gelatin silver print
• 8” x 10”
• “Explore the creative potential of chiaroscuro.”
• Gelatin silver print
• 8” x 10”
• “Explore the creative potential of chiaroscuro.”
Big Wheel. Digital Photography I, 2018.
• Archival pigment print from digital capture
• 13” x 8”
• “Create an example of radial symmetry.”
• Archival pigment print from digital capture
• 13” x 8”
• “Create an example of radial symmetry.”
Raggamuffin. Photography I, 2017.
• Gelatin silver print
• 8” x 10”
• "Documentary photograph of a local business."
• Gelatin silver print
• 8” x 10”
• "Documentary photograph of a local business."
Untitled. Photography I, 2017.
• Gelatin silver print
• 10” x 12”
• “Create symmetry and asymmetry in a still life lit with a continuous light source.”
• Gelatin silver print
• 10” x 12”
• “Create symmetry and asymmetry in a still life lit with a continuous light source.”
Queenie. Basic Photography, 2017.
• Gelatin silver print
• 8” x 12”
• “Portrait lit by window light.”
• Gelatin silver print
• 8” x 12”
• “Portrait lit by window light.”